For this new episode, Al Filreis convened Timothy Yu (who had traveled to Philadelphia from Madison, Wisconsin, for a day of programs and recordings), Josephine Nock-Hee Park, and Piyali Bhattacharya to discuss a selection of poems from Divya Victor’s book Curb (Nightboat Books, 2021): three poems from the titular “Curb” series in the middle of the book (“Curb” 3, 4, and 5) and another poem, “Frequency (Alka’s Testimony).” We provide the text of these pages here. PennSound’s Divya Victor author page did not yet include any recordings of her performances from Curb, so she generously produced audio just for PoemTalk. These are now, of course, available at PennSound (and below).
Has American poetry become more engaged with public events, more politically relevant, in the opening years of the twenty-first century? That is the claim made by The New American Poetry of Engagement, an anthology edited by Ann Keniston and Jeffrey Gray and published in 2012.
As editor of Tinfish Press, which publishes experimental poetry from the Pacific region, I try to put different Pacific poets and poetries in conversation with each other. After 15 years of editing, I no longer think of myself as someone who simply publishes books. Instead, I offer up fields of books, islands of them. The point is to move between these islands, not to stay fixed in one place. In The Radicant, Nicholas Bourriaud (on whom I’ve blogged elsewhere) describes such a poetics this way: “It is a matter of replacing the question of origin with that of destination.” He writes of the importance of the “itinerary, the path” (55), and of the need for movement. I would like to use this space on Jacket2 to get some of these conversations moving. Many, but not all, will involve Tinfish authors; webs of connection attract across time and space and small press offices.