Lauren Berlant

Telltale misadventure

A review of Steven Seidenberg’s ‘Anon’

Photo of Steven Seidenberg (right) courtesy of Seidenberg.

Steven Seidenberg’s Anon is a textual mountebank — a term that Seidenberg defines in the collection’s lavish glossary as “a person hawker of quack medicines in public places, attracting an audience by tricks, storytelling, and jokes.”[1] It’s not common for poetry collections to have their own glossaries — and even less common for them to feature words that don’t appear anywhere in the text.

Not knowing entirely how to live

Kristen Gallagher in conversation with Kim Rosenfield

Kim Rosenfield and Kristen Gallagher performing in "The Bedbug Variations"
Kim Rosenfield and Kristen Gallagher performing in "The Bedbug Variations"

Kristen Gallagher: So this started because we were talking about how we wanted a more historical understanding of the lyric. And so I made you a copy of this essay by Geoffrey Winthrop-Young summarizing Friedrich Kittler’s revolt in German literary criticism, his move from hermeneutics to discourse-analysis, because it leads him to some provocative conclusions about lyric poetry in Germany as a disciplinary effect. 

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