language

The visions and worlds of Hagiwara Sakutaro

Photo of Hagiwara Sakutaro (right) from Wikimedia Commons.

You may smash a fly but the fly’s “thing in itself” will not die. You’d simply have smashed the phenomenon called the fly. — Schopenhauer

So says the epigraph to Hagiwara Sakutaro’s “roman in the style of a prose poem,” Cat Town (1935) — in the eponymous volume which also includes his collections Howling at the Moon (1917) and Blue Cat (1923), as well as a selection of other poems.

Browsing Jalada Magazines Latest Issue: Language

Browsing Jalada's 'Language Issue'

This is the first in a series of posts about contemporary African poetry and where to find it. The series borrows its title from an album by the great South African pianist Dollar Brand (now Abdullah Ibrahim). First released in 1974, the album seems a perfect mirror of what’s most exciting about the writing and publishing coming out of Africa (and its recent diasporas) these days. The album opens with Ntsikana’s Bell, a song attributed to a Xhosa figure influential in Africanizing Christianity in the seventeenth century, and the other tracks draw on Swazi and Muslim influences. The album’s hopeful declaration of a present anchored in indigenous histories and honoring diversity resounds through the communities of writers and readers increasingly accessible through internet publishing, new presses, and a variety of audio formats. For lovers of poetry, there is good news from Africa.