Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
On Primo Levi's 'Iron' and 'Carbon'
Recently I was asked to speak for a few minutes about a Jewish writer I believe should be better known. Primo Levi certainly is well known, but perhaps more known of than read, beyond, perhaps, Survival in Auschwitz, which maintains something of a life on high school and college curricula as a partner to, or substitute for, Elie Wiesel’s Night. (They are utterly not the same book. Nor the same kind of book. But they feel to teachers somehow like bookends.) In any case, Primo Levi wrote several other extraordinary books, the most powerful (and by far most formally experimental) of which is The Periodic Table. It is a modernist epic in prose. It has none of the immodesty of The Cantos or Ulysses or The Bridge or Paterson, but it seeks, through genocide and meditations on science pedagogy, to make a whole gigantic statement about what’s elemental of the meaning we make, and its parts, elements of a table that it itself a supreme fiction explaining the whole world, do not add up to a coherence but yet do embody the world. Readers of this commentary will have read my praise of this book before, so I will not dwell on it here. But I do happily present my 17-minute talk on the book. Because of the time constraint, I had to choose what to say about several parts that would be representative of the whole, so I concentrated on the final paragraphs of “Iron” (a chapter preceding Levi's stay at Auschwitz, which is reckoned in the chapter called “Cerium”) and the final paragraphs of “Carbon,” the last chapter of the book, and its most (shall we say) organic. Organic in theme and celebratory of the fictive present-tense-writing self in form. Here is that audio: MP3.