Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
molossus
by David Shook
From the moment that an explanation is offered, there’s no longer any danger for the reader. — Alain Robbe-Grillet, to Mario Bellatin, for molossus 1
Definition(s):
a) In prosody, a molossus is a metrical foot of three long syllables. English language prosody, mapped in stressed and unstressed syllables, is not very accommodating. Attempted examples include Tennyson’s “Break, Break, Break,” which properly scanned makes three separate feet, the end of the second line of Gerald Manley Hopkins’ “The Caged Skylark,” (“Man’s mounting spirit in his bone-house, mean house, dwells—“), which seems a stretch but works if scanned as four feet and its final word does not take on extra stress, and “wild-goose chase,” which works in isolation but seldom in context, as in Thomas Hardy’s “Erotophuseos.”