200! This is the 200th monthly episode of PoemTalk. To mark the occasion, we celebrated Evie Shockley with a day of events and recordings and conversation and it was all informally dubbed “Evie Day.” Before a live audience in the Arts Café of KWH we talk about two of Evie’s poems: “My last modernist poem, #4 (or, re-re-birth of a nation)” from The New Black; and “studies in antebellum literature (or, topsy-turvy)” from Semi-automatic. Evie’s expansive PennSound page happens to include recordings of her performing both of these poems, but since we were feeling the honor of having Evie there with us in person, we asked her if she wouldn’t mind reading these poems. She did, and you'll be hearing them as part of the PoemTalk discussion after the introductions. It was the annual gathering of a group that had been meeting for some years: Aldon Nielsen, William J. Harris, and the late and much-missed Tyrone Williams.
October 11, 2024
First reading of Basil Bunting's performance of Thomas Wyatt's 'Blame not my lute' (4)
Jeroen van den Heuvel
The first time I listen to Basil Bunting perform Thomas Wyatt’s “Blame not my lute,” I am unable to follow it. The sixteenth-century English certainly does not help. I hear the word “desart“ and don’t know what it means. I hear the word “change” that is familiar to me but it is used in a way that I am not accustomed to. I listen to it a few more times. The repetition radiates a kind of pleasure. But why should I, in 2017, bother to listen to one dead guy reciting a poem four decades ago that another dead guy wrote five centuries ago?
With Jeroen van den Heuvel’s short essay responding to the experience of hearing Basil Bunting’s performance of Thomas Wyatt’s “Blame not my lute,” the three coeditors of the “First Readings” series offer the fourth of five takes on this cover. The recording is linked here and is also available at PennSound’s Bunting