As uninvited interlocutors, other creatures have long been writing their way into the metabolic conversations of human life. As vectors for various parasites and viruses, mosquitoes, for example, have exerted considerable pressure on human evolutionary and cultural history. They have killed approximately half of the humans who have ever lived, Timothy C. Winegard points out in his book detailing, among other things, the cascading connections between the mosquito and the rise and fall of the Roman Empire, the transatlantic slave trade, the spread of Christianity, and the development of modern democracy. Beyond the consequential molecular inscriptions of an insect bite, however, how has the metabolism of other creatures informed conceptualizations and approaches to writing itself? How have writers worked with the metabolizing bodies of other creatures, inviting them to participate in imagining new forms of kinship and sustainable relationships with place and multispecies community?
As uninvited interlocutors, other creatures have long been writing their way into the metabolic conversations of human life. As vectors for various parasites and viruses, mosquitoes, for example, have exerted considerable pressure on human evolutionary and cultural history. They have killed approximately half of the humans who have ever lived, Timothy C.
The third Q.E.D. II event of 2013 featured one of Les Figues’s earliest authors, Jennifer Calkins, in conversation with Amanda Ackerman and Anne de Marcken. Teresa Carmody, the press’s cofounder, moderated.
Do not wonder how you will do a job, but do it and then wonder how you have done it I am always thinking about time. In many ways, we live in terrible times. Also, it is said that if you travel far enough into the future you will actually go back in time.
eohippus labs is a short-form literary micropress based in Los Angeles. I co-edit the press with Harold Abramowitz, who is also someone with whom I write collaboratively, and he is also one of my best friends.
Bodies and antibodies
Multispecies writing in Karin Bolender's 'R.A.W. Assmilk Soap' and Jen Bervin's 'Silk Poems'
As uninvited interlocutors, other creatures have long been writing their way into the metabolic conversations of human life. As vectors for various parasites and viruses, mosquitoes, for example, have exerted considerable pressure on human evolutionary and cultural history. They have killed approximately half of the humans who have ever lived, Timothy C. Winegard points out in his book detailing, among other things, the cascading connections between the mosquito and the rise and fall of the Roman Empire, the transatlantic slave trade, the spread of Christianity, and the development of modern democracy. Beyond the consequential molecular inscriptions of an insect bite, however, how has the metabolism of other creatures informed conceptualizations and approaches to writing itself? How have writers worked with the metabolizing bodies of other creatures, inviting them to participate in imagining new forms of kinship and sustainable relationships with place and multispecies community?
As uninvited interlocutors, other creatures have long been writing their way into the metabolic conversations of human life. As vectors for various parasites and viruses, mosquitoes, for example, have exerted considerable pressure on human evolutionary and cultural history. They have killed approximately half of the humans who have ever lived, Timothy C.