Seth Landman

Seth Landman is a member of the Agnes Fox Press collective, and his book, Sign You Were Mistaken, will be out this fall from Factory Hollow Press.

By this author

A poem is a sacred attempt at communicating what is impossible to communicate

Recently in Jacket2

Snelson on Eclipse, Clay on Granary, Freeman on Drucker, ed Kyle Schlesinger, new ABR

Charles Bernstein

American Book Review
Volume 34, Number 3
March/April 2012
a feature on bringing out-of-print materials back into view, including essays by Penn's own Danny Snelson on Craig Dworkin's Eclipse -- now on-line at
http://eclipsearchive.org/ Here is a pdf of Snelson's full article.">http://eclipsearchive.org/

May 17, 2013

Lydia Davis

The poet's novel

Laynie Browne

In “Composition as Explanation” Gertrude Stein writes: “The only thing that is different from one time to another is what is seen and what is seen depends upon how everybody is doing everything.” [1].

Lydia Davis is a writer who is a great influence and inspiration to “everyone,” when everyone includes readers of experimental fiction as well as a myriad of poets “doing everything.” Davis is a master of short fiction and extremely short fiction, as well as a celebrated translator, novelist and poet.

At a recent reading at Bryn Mawr College, Davis addressed the audience at first by noting the grandeur of the room. She said, “I’ll just stand here and be impressed for a while.”

May 17, 2013

Aaron McCollough: “Four Preliminary Notes” & “A Stray Note” from Underlight

Jerome Rothenberg

[Reprinted from Underlight, published 2012 by Ugly Duckling Presse]

In Contact with the Ground (Personal Sun)

I needed to match our feelings, mine and the other living things.

May I tell you how this became deadly without polluting you.

I reached out for the dog that lay on the downed wire that led to

the lightning.

I put the wrong things in my body till my skin extended to harder

surfaces. Canals.

Practiced the sacrifice. Bought a gun.

May 16, 2013