Osiris Ánibal Gómez

Osiris Ánibal Gómez: The ghost poet

Writing and translating indigenous poetry in twenty-first century Mexico

Osiris Anibal Gómez, right, with Mazatec poet Juan Gregorio Regino
Osiris Anibal Gómez, right, with Mazatec poet Juan Gregorio Regino, director of Mexico’s National Institute of Indigenous Languages (INALI).

For the past ten years there’s been an ongoing discussion among writers and critics concerning the conditions and the transcendence of translation in contemporary Indigenous literary production. On the one hand, there are those who express that the birth of bilingual literature in Mexico has been shaped by federal writing grants offered mainly to writers who agree to self-translate their work to the Spanish language for publishing. On the other hand, there are writers who take on the double artistic responsibility as a necessity for greater dissemination.

For the past ten years there’s been an ongoing discussion among writers and critics concerning the conditions and the transcendence of translation in contemporary Indigenous literary production. On the one hand, there are those who express that the birth of bilingual literature in Mexico has been shaped by federal writing grants offered mainly to writers who agree to self-translate their work to the Spanish language for publishing.

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