Given the amount of activity Toronto poet, editor, critic and professional triathalete Suzanne Zelazo has been involved with over the past decade, one can understand why we haven’t seen much in the way of new poetry from her since the publication of her remarkable first trade collection, Parlance (Coach House Books, 2003). Editor-in-Chief of the late, lamented literary journal Queen Street Quarterly (1997 – 2005), she held a three-year postdoctoral fellowship at Ryerson University under Irene Gammel, exploring experimental writers and poets including Mina Loy, Elsa von Freytag-Loringhoven and Florine Stettheimer.
A few years ago, reading through issues of the now-defunct Sentence: A Journal of Prose Poetics started me thinking about the prose poem in terms of difference between Canada and the United States. As much overlap as our two countries have, the evolution of the nebulously-termed “prose poetry” has been different, and yet, at least on this side of the border, the form hasn’t been (for what I’ve been able to find) much explored in terms of possibility, genealogy and influence. Back in May 2012, as a prelude to composing a possible essay to explore the subject, I sent out an email to a variety of individuals, and even a couple of list-serves, seeking information: