Giovanni’s Room hosted Frank O’Hara’s Queer Litter yesterday, an event hosted by CA Conrad and featuring Alex Dimitrov, Paul LeGault, Zachary Pace, Adam Fitzgerald, and Andrew Durbin.
The third issue of Melbourne magazine Steamer - edited by Sam Langer - features a number of one line poems: my favourite is 'rocker' by Will Druce: 'sssssstay onlike a roa deeeeeee afterrrrthash ow'. It could be drunk, it could be the beginning of 'Cherry Bomb'. Neologisms like 'onlike', 'roa' and 'afterrrrthash' suggest a mutating rocker vernacular that gets more interrrresting the more the rocker thinks about what they're saying.
Another poem from the issue, 'token' by Ella O'Keefe is one that knows it was written on a keyboard (as much as the hands may remember 'duck-egg formica'). It interrupts what becomes retrospective lyrical droning to jump up and want something a: 'Fresh!/Fruit!/Shake!'. Three exclamations suspended by the question of wondering ... Having energise the line and mood, new implausibilities may be murmured. We attend to mockery, then we're collaged onto a tarmac. Single quotes turn into double: a successful 'lawn-a-concept-centre' date then.
when a rooster crows
the whole body is used
& it puts you back
in your own
This could be O'Hara with clipped wings or Williams with the strength reversed to the end.
Daniel Ellsberg performs a magic trick at Whitman College
Kaia Sand
Maybe the poets could come up with a better term than ‘whistle-blower?’ That’s what I recall Daniel Ellsberg asking.
It was the spring of 2005 in Walla Walla, Washington, when I had the luxury of a day’s conversations with Daniel Ellsberg, famed for releasing the Pentagon Papers in an effort to end the Vietnam War by revealing how high-level officials were misleading the public. Ellsberg was visiting Jules’s class and giving a lecture at Whitman College, where Jules was employed, and because Jules was employed, he was busy, and I was not so busy, and, thus… I discussed poetry with Ellsberg over green tea. He was an early publisher of Frank O’Hara’s at the Harvard Advocate, he recited lines of poetry from memory, and he urged me to read Robinson Jeffers.
For my survey of modern & contemporary American poetry (English 88) I once (1999) made a recording of a really basic mini-lecture on three fundamental types of New York School poems: anti-narrative, non-narrative, pastiche. The whole thing is plausible enough, although obviously there are more "types" and much more to say about pastiche. Recently we converted a RealAudio file of this recording and produced a new mp3, which I've linked to "chapter 8" of the course. So here is that old talk as an mp3.
Parties du corps
Frank O'Hara's queer litter
Giovanni’s Room hosted Frank O’Hara’s Queer Litter yesterday, an event hosted by CA Conrad and featuring Alex Dimitrov, Paul LeGault, Zachary Pace, Adam Fitzgerald, and Andrew Durbin.