Brian Teare

Brian Teare interviews Brent Armendinger

PennSound podcast #51


The Los-Angeles-based poet Brent Armendinger visited Philadelphia and the Kelly Writers House in April 2015 during a book tour for the release of The Ghost in Us Was Multiplying, which Bhanu Kapil has described as a book that “traces the index of an intense need: the kind of contact that can’t be assuaged by touch alone.”


Some unnamed species of porous poems
Detail, map of Quiet Places on the continental U.S.: National Park Service Sounds and Night Skies Division

A need to register the ecological effects of anthropocy may motivate an ecopoetic approach to soundscapes. But there’s also the fact of what scientists are calling “learned deafness” for which embodying listening-being becomes an organic imperative. Embedded, active listening is connective, emplacing, locating. But more than that: what if where you are is what you hear, and vice versa? According to Anthropologist Tim Ingold and constituents of bioregionalism, what we contemporary humans lack is inhabitant knowledge – and engaging sense capacities in acts of listening-being is one way contemporary poets cultivate inhabitant knowledge.

Informed by Soundscape Ecology, acoustic imbalances, and the fragmenting of natural habitats is the focused listening in Jonathan Skinner’s Birds of Tifft. Language is modified to “capture” sounds like a directional mic, registering, in a poem titled “Beaver,” shift from ground, to figure, to ground, to figure, etc., with the mammal making but a brief appearance via a couplet near the center of the poem:

Brian Teare interviews Rachel Zolf

PennSound podcast #48


On March 18, 2015, Canadian poet Rachel Zolf visited Philadelphia and the Kelly Writers House and came into the Wexler Studio to record a conversation with Brian Teare. Zolf and Teare discussed Zolf’s most recent book, Janey’s Arcadia, which Teare described in his introduction to Zolf’s reading at Temple University in November 2014 as a work that “situates us in a Canadian national history in which the ideology of nation building prescribes genocide for indigenous people, and enlists all its settler-subjects in the campaigns of conversion, dislocation, assimilation, and disappearance.” Zolf created a film, a sound performance, and a number of polyvocal actions related to Janey’s Arcadia and has written recently about the “mad affects” generated by the reading/audience event.

'grasses' meet 'monster owl': On the UC Davis Satellite Event with Jonathan Skinner and Brian Teare

by Gillian Osborne

Yarrow seed
Yarrow seed,

In the UC Davis Arboretum, common yarrow (Achillea millefolium), a “companion” plant, has many uses and many names. Along a sculpted river topped with scum, warblers disappear and reappear in native and non-native shrubs and branches. Brian Teare and Jonathan Skinner are talking about ecopoetics: the poems of Ofelia Zepeda, “emergency,” and Lee Edelman’s No Future: Queer Theory and the Death Drive. We stop to smell the sages and the yellow puffs of acacia.

The 2013 Conference on Ecopoetics began at a satellite event hosted by the Davis Humanities Center. Jonathan Skinner, editor of the journal ecopoetics, and author of among other books, Warblers, published by Brian Teare's micro-press Albion Books, sat at a table with his publisher and fellow-poet, whose most recent collection, Companion Grasses, will appear in print April 1. A selection of this same volume, “Transcendental Grammar Crown,” can also be found in the newly released Arcadia Project, edited by Joshua Corey and G.C. Waldrep.

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