Bay Area

Against apocalypse

A review of Ron Silliman's 'Revelator'

At right: “Phuket after Tsunami (2004)” by Milei Vencel; used with modification under CC Attribution-Share Alike license.

Somewhere along the way, Ron Silliman and his fellow L=A=N=G=U=A=G=E poets earned the reputation for being heartless.

The thing that doesn't fail

On Stephanie Young's 'Ursula or University'

Stephanie Young’s Ursula or University begins, “I guess it’s too late ...” and (nearly) ends, “It can be never for a very, very long time. And then it can be now.” In between, Young hovers and waits, worries and writes, enmeshed in a Bay Area poetry community that, to her, crackles with potential seismic energy she nevertheless fears may forever fail to unleash the earthquake that would justify its pressures and change the topography of power and privilege whose violence mars the utopia she can almost grasp.

Cloud House Poetry Archives

Larry Eigner: 'Sacred Materials'

"stand on one foot // like a tree" -- Larry Eigner bit.ly/12ZLyNk
Poetry Magazine Tweet, June 21, 2013

A few days ago, the Poetry Magazine Twitter (@poetrymagazine) tweeted a rather simple link to an excerpt from their February 1964 issue, featuring six poems by Larry Eigner. Tweeting links to poems in old issues is fairly standard practice for @poetrymagazine, but the Eigner feature made me think back to some of the truly great video features on PennSound: The Larry Eigner “Sacred Materials” recordings, and The Cloud House Poetry Archives, which was generous enough to make these recordings of Eigner available.

The “Sacred Materials” consist of three videos: the last public reading given by Eigner on November 17, 1995 (he would pass away a little over two months later on February 3, 1996); the Jewish Ground Ceremony for Eigner on February 6, 1996; and a tour later that day of Eigner's Writing Environs, which shows the mountains of manuscripts surrounding Eigner's typewriter where he painstakingly composed his poems.

Syndicate content