Christian Boltanski's artwork/installation, "No Man's Land": a huge crane and a 25-foot-high mound of salvaged clothing rising from the floor of the Park Avenue Armory’s big drill hall. Every few minutes the crane’s giant claw will pluck a random assortment of shirts, pants and dresses from the mound and then release them to flap back down randomly. Visitors can watch the action — set to a ceaseless, reverberating soundtrack of thousands of human heartbeats — from ground level, standing amid dozens of 15-by-23-foot plots of discarded jackets that extend in all directions from the mound and that may - should - evoke refugee or death camps. "No Man's Land" was described in the New York Times: here.
Christian Boltanski
Art: clothing in piles
Christian Boltanski's artwork/installation, "No Man's Land": a huge crane and a 25-foot-high mound of salvaged clothing rising from the floor of the Park Avenue Armory’s big drill hall. Every few minutes the crane’s giant claw will pluck a random assortment of shirts, pants and dresses from the mound and then release them to flap back down randomly. Visitors can watch the action — set to a ceaseless, reverberating soundtrack of thousands of human heartbeats — from ground level, standing amid dozens of 15-by-23-foot plots of discarded jackets that extend in all directions from the mound and that may - should - evoke refugee or death camps. "No Man's Land" was described in the New York Times: here.