Yolanda Wisher

Yolanda Wisher is the author of Monk Eats an Afro (Hanging Loose Press, 2014) and the coeditor of Peace is a Haiku Song (Philadelphia Mural Arts, 2013). Wisher performs a unique blend of poetry and song with her band The Afroeaters, and her work has been featured in a variety of media including Gathering Ground: A Reader Celebrating Cave Canem’s First Decade, GOOD Magazine, The Philadelphia Inquirer, Contemporary Black Canvas, Radio Times, PoetryNOW, Ploughshares, and CBC Radio. A Pew Fellow and Hedgebrook Writer-in-Residence, Wisher was named the inaugural Poet Laureate of Montgomery County Pennsylvania in 1999 and the third Poet Laureate of Philadelphia in 2016. Wisher taught high school English for a decade, served as Director of Art Education for Philadelphia Mural Arts, and founded and directed the Germantown Poetry and Outbound Poetry Festivals. She has led workshops and curated events in partnership with the Philadelphia Museum of Art, Free Library of Philadelphia, and US Department of Arts and Culture. Wisher is currently the 2017–2018 CPCW Fellow in Poetics and Poetic Practice at the University of Pennsylvania and the Curator of Spoken Word at Philadelphia Contemporary.

Photo by Mark Palacio, 2014.

By this author

My Grandmama’s House Is Now The EPA

Explode for small change (PoemTalk #104)

Recently in Jacket2

Raw from the bellicose tumble (PoemTalk #203)

Callie Gardner, "Culture Warrior"

PoemTalk

From left: Laynie Browne, Julia Bloch, Iain Morrison

Julia Bloch, Laynie Browne, and Iain Morrison joined Al Filreis in KWH’s Wexler Studio to talk about a poem — or rather two versions of a poem — by the late Callie Gardner. One version, titled “when will my love return from the culture war?,” is 6-quatrains long. A second, for which we have a recorded performance, is four quatrains; there’s a variation on the second that seems to invite us to call it a sonnet. Callie added a version — organized in the quatrains — to their blog on May 1, 2020. On November 19, 2020, Callie read the shorter version of the poem as part of a live-streamed reading given by eight poets. Callie was the fifth to read. We link the YouTube recording HERE, and PoemTalk listeners are invited to watch and listen to our poem at 53 minutes into the group reading.

December 24, 2024

Launch for The Kinds of Poetry I Want: Essays & Comedies

with Tracie Morris, Christian Bök, Tan Lin, Felix Bernstein, & Charles Bernstein

Charles Bernstein

at Giorno Poetry Systems in New York, Dec. 5, 2024

My thanks to Alan Thomas and Randy Petelos at the University of Chicago Press. This is my tenth book with Chicago, going back 25 years. Thanks also to Anthony Huberman and Eli Coplan (sound engineer) of GPS for hosting this event.

Cry me a makar

On translating Lorca into Shaetlan

Christie Williamson

“Only if you want to, and it might not work, but do you think you could translate some of the poems into Shetlandic?” I’d been writing poems fairly consistently in Shaetlan for two or three years by this point, but my primary creative outlet remained theatre. Still, it was too good an idea not to pursue. I knew Shaetlan and knew how to write a decent poem in it. The García Lorca poems whose English translations we’d been giving voice to were extraordinary so, why not? What could possibly go wrong?

“I’ve got a suggestion for you. Can I buy you a glass of wine?” The answer to that question is always yes. We were in rehearsal for Lorca’s Shadow, a devised theatre piece by Moving Parts Theatre Company, and this suggestion from Corinne Harris, the play’s director, was to change the course of my life.

December 5, 2024