Danny Snelson

Reissues Editor

Danny Snelson is a writer, editor, and archivist. His online editorial work can be found on UbuWeb, PennSound, and Eclipse. He works with James Hoff as No Input Books, with Alejandro Crawford as Ex Libris, and lives in collaboration with Mashinka Firunts. Screenings, readings, lectures, and performances at Semiospectacle, Centre Pompidou, Dispatch Bureau, Ontological Hysteric Theater, Subtext Series, Gallery D21 Leipzig, Capricious Space, CRG Gallery, Lisa Cooley Gallery, and with free103point9 Transmission Arts. Recent projects include Inventory Arousal (Bedford Press, 2011), Alcheringa Archive, Simultaneously Agitated Space (Mimeo Mimeo #3), Endless Nameless, my Dear coUntess, Equi Nox, The Book of Ravelling Women, No-Body Zone, Noise!2010, and Edit: Performing Network Publishing (with Tan Lin).

Email:

danny.snelson@gmail.com

http://dss-edit.com

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By this author

Writing as metadata container

Poetry in 1960, a symposium: Question and answer session

On John Cage, 'Cartridge Music'

Recently in Jacket2

From the Jacket2 team

Publishing during the COVID-19 crisis

Jacket2

Like many of you, we are adapting to increased safety measures around COVID-19 at the University of Pennsylvania and other campuses. Our work here at Jacket2 will likely be delayed and/or interrupted; our publication schedule for both commentaries and J2 content at large will be slower than usual as we adapt to the global pandemic. Many of our editors are working remotely, and we will continue to curate Jacket2 as a space to convene and sustain a life in/through poetry during times of scarcity, stress, and shifting imagined communities. We remain committed to bringing you open access content when institutional access and travel for research become compromised and complicated.

A note from the editors and publishers of Jacket2:

Heriberto Yépez

'A Sketch on Globalization & Ethnopoetics'

Jerome Rothenberg

[The essay by Yépez following the translation, below, of Jean Louis Battre’s Portuguese poem, “The Cave,” is reposted here as a tribute and acknowledgement of the work and thought of Mexican poet Heriberto Yépez in the development of a future-facing ethnopoetics from a perspective outside the familiar US nexus. It was originally published in the radical magazine R.A.U.L. / Red Anarcho Utopista Libre in May 2012, and a related work by Yépez, “Ethnopoetics.

In the diamond at the heart of the moon

Sixty-nine notes before the US elections, part 1

Michael Ruby and Sam Truitt, curators

Photo of a photo from a wall in Omar Perez’s apartment in Havana

Sam Truitt
In memory of David Graeber (1961–2020)