Danny Snelson

Reissues Editor

Danny Snelson is a writer, editor, and archivist. His online editorial work can be found on UbuWeb, PennSound, and Eclipse. He works with James Hoff as No Input Books, with Alejandro Crawford as Ex Libris, and lives in collaboration with Mashinka Firunts. Screenings, readings, lectures, and performances at Semiospectacle, Centre Pompidou, Dispatch Bureau, Ontological Hysteric Theater, Subtext Series, Gallery D21 Leipzig, Capricious Space, CRG Gallery, Lisa Cooley Gallery, and with free103point9 Transmission Arts. Recent projects include Inventory Arousal (Bedford Press, 2011), Alcheringa Archive, Simultaneously Agitated Space (Mimeo Mimeo #3), Endless Nameless, my Dear coUntess, Equi Nox, The Book of Ravelling Women, No-Body Zone, Noise!2010, and Edit: Performing Network Publishing (with Tan Lin).

Email:

danny.snelson@gmail.com

http://dss-edit.com

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By this author

Writing as metadata container

Poetry in 1960, a symposium: Question and answer session

On John Cage, 'Cartridge Music'

Recently in Jacket2

Near/Miss launches

Charles Bernstein

New from University of Chicago Press: paper, cloth, e-book
Audible.com has also published an audiobook of my reading of the full work.

In their poetic experiments with electroacoustic technologies, Wayde Compton and Jason de Couto — known as The Contact Zone Crew — advance what Compton has called schizophonophilia: “the love of audio interplay, the pleasure of critical disruptions to natural audition, the counter-hegemonic affirmation that can be achieved through acoustic intervention.”[1] As an audio poetry project, Compton and de Couto realize schizophonophilia by using sampling and mixing as the core of their poetics.

On the 'Vietnam is a Seven-Letter Word' Panel at AWP

Anna Maria Hong

“Vietnam Is a Seven-Letter Word” panelists.

On the Thursday of the AWP Conference in Portland, OR, I skipped the long line for badges and made my way through the throngs of people chatting, milling purposefully, and sitting and sipping decent coffee along the corridor floors of the Oregon Convention Center to a panel titled “Vietnam is a Seven-Letter Word.” I was familiar with some of the writers presenting but not all of them, and I was intrigued by the description, which noted that “women of the Vietnamese diaspora [would] offer insight into how writers may elasticize and complicate definitions of one’s various assigned ‘identities’ and lend voice to the silenced, obscured, or overlooked.”

Danny Snelson

By this author

Near/Miss launches

'Schizophonophilia'

Wayde Compton and Jason de Couto, The Contact Zone Crew

On the 'Vietnam is a Seven-Letter Word' Panel at AWP