Jasper Bernes

Under the beach, the office

On 'The Work of Art in the Age of Deindustrialization'

Photo by Jonny Erixon via Wikimedia Commons.

“Society can absorb almost anything that purports to attack it,” Kenneth Rexroth would conclude in the early 1960s, seeing few new political prospects in the wave of oppositional literature emerging from the Beat generation. One only had to look at the fate suffered by their rebellious literary predecessors: “Who laughed uproariously at the antics of the petty bourgeois upstart Père Ubu?

Feel beauty supply, post 10

Hurston on loafing and loitering

Whenever I think I might be being too thin in my thinking about aesthetic practice, someone says something in agreement with my thoughts, though more bookishly and then I see that I’m right, even in my simplicity. Like when I was procrastinating this weekend on writing on my promised account of Hurston’s Mules and Men I went on twitter where Anne Boyer tweeted this quote from Pierre Macherey: “To deprive the bourgeoisie not of its art but of its concept of art, this is the precondition of a revolutionary argument.” I like this sentence because of the “its” and the “its concept of.”

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