Tadeusz Pióro

'The New Polish Poetry'

In Jacket 29

John Tranter

Polish girl: photo -- Poland's Ministry of Foreign Affairs

An selection of poems from Altered State — The New Polish Poetry. Edited by Rod Mengham, Tadeusz Pióro and Piotr Szymor. Todmorden, UK: Arc Publications, 2003. Price: £10.95. This selection was chosen by Rod Mengham and John Tranter.

[»»] Marcin Baran: Hot embitterments

[»»] Julia Fiedorczuk: November on the Narew

[»»] Darek Foks: Farewell, Haiku

[»»] Mariusz Grzebalski: Slaughterhouse / Then

[»»] Krzysztof Jaworski: I used to be a slender guy

[»»] Bartłomiej Majzel: Scrumping

[»»] Maciej Melecki: Summer, getting away from yourself

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Jerome Rothenberg

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Pt. 6

Michael Cross

The poem constitutes (and is constituted by) potential energy resonating from the practically indiscernible event horizon(s) sundering the autonomous contours of discrete operational systems (subject from object from world). As a result, “the poem” is not just language (or, more radically, not even language), but precisely what is left unsaid in the thing itself (and how this excess disrupts the faux placidity of language through readerly engagement). Surplus meaning infloresces between reader, writer, and world in the relational space constituting the poem’s immanent outside, but it’s the poem itself, its words, that allow us to touch this remainder. As such, the poem is not so much cipher (concealing a singularly esoteric content), but an opening, a cut, as Fred Moten has it (after the work of Saidiya Hartman).

For a long time we have divined both order and disorder in the world and projected these as measure and excess. But every poetics led us to believe something that, of course, is not wrong: that excessiveness of order and a measured disorder exist as well. The only discernible stabilities in Relation have to do with the interdependence of the cycles operative there, how their corresponding patterns of movement are in tune.