200! This is the 200th monthly episode of PoemTalk. To mark the occasion, we celebrated Evie Shockley with a day of events and recordings and conversation and it was all informally dubbed “Evie Day.” Before a live audience in the Arts Café of KWH we talk about two of Evie’s poems: “My last modernist poem, #4 (or, re-re-birth of a nation)” from The New Black; and “studies in antebellum literature (or, topsy-turvy)” from Semi-automatic. Evie’s expansive PennSound page happens to include recordings of her performing both of these poems, but since we were feeling the honor of having Evie there with us in person, we asked her if she wouldn’t mind reading these poems. She did, and you'll be hearing them as part of the PoemTalk discussion after the introductions. It was the annual gathering of a group that had been meeting for some years: Aldon Nielsen, William J. Harris, and the late and much-missed Tyrone Williams.
October 11, 2024
In the diamond at the heart of the moon: Sixty-nine notes on the US elections, part 1
by Sam Truitt
Sam Truitt
In memory of David Graeber (1961–2020)
1. two three four … / what are we fighting for?
2. Is poetry’s role to keep open a human possibility until all may join? Isn’t that what the confounders sought?
3. “Election” means something like the state or act of picking out or choosing.
4. An election illuminates the space between us.
5. “Election” shares the same cognate (Latin eligere) with “elite,” meaning “chosen people,” the adjectival use of which Byron introduced into English in a passage in Don Juan (Canto 13) recounting a party:
With other Countesses of Blank — but rank;
At once the “lie” and the “elite” of crowds;
Who pass like water filter’d in a tank,
All purged and pious from their native clouds …