Ken Hunt

Translation Controller, Neutral

Amy Catanzano

First page of the Apollo 11 onboard voice transcript, courtesy of NASA.

While the transcripts of the recordings of the Apollo 11 spaceflight mission to the moon were released in the mid-1970s and have been publically available on the internet for years, NASA has digitally released the recordings of the spaceflight mission as MP3s, available here. Ken Hunt published Space Administration (89+/LUMA Foundation, 2014) using the transcripts of the recordings, including some of the numeric time signatures for each speaker. Hunt’s book brings poetry in conversation with one of the greatest scientific achievements that humans have accomplished as a species.

Recently in Jacket2

From the Jacket2 team

Publishing during the COVID-19 crisis

Jacket2

Like many of you, we are adapting to increased safety measures around COVID-19 at the University of Pennsylvania and other campuses. Our work here at Jacket2 will likely be delayed and/or interrupted; our publication schedule for both commentaries and J2 content at large will be slower than usual as we adapt to the global pandemic. Many of our editors are working remotely, and we will continue to curate Jacket2 as a space to convene and sustain a life in/through poetry during times of scarcity, stress, and shifting imagined communities. We remain committed to bringing you open access content when institutional access and travel for research become compromised and complicated.

A note from the editors and publishers of Jacket2:

Truths of outrage and truths of possibility

Michael Ruby and Sam Truitt, curators

Doctor MAGA, ©2020 Sue Coe Courtesy Galerie St. Etienne, New York — ‘Doctor MAGA,’ ©2020 Sue Coe Courtesy Galerie St. Etienne, New York

Evelyn Reilly

In this election season my desk is littered with post-it notes, images, and quotes:

Patterns of Animus

A new poem by Rochelle Owens

Jerome Rothenberg

[For some years now, Rochelle Owens has been a regular contributor to Poems and Poetics and, before that, a key part of the poetry world which many of us have shared with her. Of the power of her work Marjorie Perloff has written: “brilliantly inventive, immensely learned, sophisticated, and witty in its conceits. She is, in many ways, a proto-language poet, her marked ellipses, syntactic oddities, and dense and clashing verbal surfaces.