My previous entry should have acknowledged We Press as one among many independent and often disconnected DIY publishers of fringe literary audio. Over time, some of us got to know each other from afar, making contact through common friends via the mail or perhaps by chance at a performance. The pre-Web era, for those working in the no-commercial-potential realms, involved relying on grassroots, word of mouth micro networking to make productions known to a wider audience.
In audio practice III
Pre-Web network(s)
My previous entry should have acknowledged We Press as one among many independent and often disconnected DIY publishers of fringe literary audio. Over time, some of us got to know each other from afar, making contact through common friends via the mail or perhaps by chance at a performance. The pre-Web era, for those working in the no-commercial-potential realms, involved relying on grassroots, word of mouth micro networking to make productions known to a wider audience.