Some thoughts on the line in poetry
Two problems, first of beginning, then of cohering, beset me as I worried the topic of this talk. Beginning and cohering, obviously, elementary features of typical expository forms, but problematic, more so for a topic that one finds, at the same time, fundamental and elusive, elusive because fundamental, in one’s own practice of reading and writing.
Two problems, first of beginning, then of cohering, beset me as I worried the topic of this talk. Beginning and cohering, obviously, elementary features of typical expository forms, but problematic, more so for a topic that one finds, at the same time, fundamental and elusive, elusive because fundamental, in one’s own practice of reading and writing.
But here are three thoughts to possibly begin with:
In audio practice III
Pre-Web network(s)
My previous entry should have acknowledged We Press as one among many independent and often disconnected DIY publishers of fringe literary audio. Over time, some of us got to know each other from afar, making contact through common friends via the mail or perhaps by chance at a performance. The pre-Web era, for those working in the no-commercial-potential realms, involved relying on grassroots, word of mouth micro networking to make productions known to a wider audience.