Susan Bee

Collaboration & the Artist’s Book: Paris reading (April 2, 2011)

Vincent Katz, Bill Berkson, Shirley Jaffé, Raphael Rubinstein, Susan Bee & Charles Bernstein

Poetry reading and visual art projection
Maison de la poésie, Paris

Sigmund Laufer Holocaust Series (1960-1964)

Susan Bee talk and ppt

Sigmund Laufer, First day of school, Berlin, Germany, 1926

The Brodsky Gallery at Kelly Writers House (at Penn) has an exhibit of the Holocaust etchings by Sigmund Laufer. This show will be up through December 2011. Susan Bee, his daughter, gave a talk about his work this past Thursday and Susan (with my intermittent help) presented a ppt on Laufer's life and work, which we are making available here. A fine discussion, led by Al Filreis's incisive comments, followed.

The Capilano Review

Susan Bee & Charles Bernstein in BC early 1970s

Fall 2010 / 3.12
Fall 2010 / 3.12

pdf of issue now available, for $4
Susan Bee: COVER: Light in the Forest, 1973 oil on canvas, 19" x 26"

Andrea Actis. "But sometimes a sign's all you need": A Conversation with Susan Bee & Charles Bernstein

Charles Bernstein, Ruskin (earlier poems)

Susan Bee, In and Around BC: Paintings/Drawings/Sculpture

Raphael Rubinstein on Susan Bee

Art in America Oct. 2011

For Gerrit Lansing @ 75 (2003)

Susan Bee & Charles Bernstein

Before You Go @ ArtCritical.Com

Susan Bee / Charles Bernstein collaboration

see images and full  text of poem.

Susan Bee Interview

Painting & film noir, masks, women behind bars, collage, fairy tales, & disaster

Susan Bee interviewed by Tom Winchester at Sovereign Nation

Susan Bee‘s Recalculating at A.I.R. Gallery in Brooklyn examines all of art history through a postmodern lens: as if its most epic battles were appropriated then compressed onto a canvas in a style that is similar to the way that David Salle, Nicole Eisenman, and Cindy Sherman have created their compositions. Without losing her style to a sea of reproductions, Bee maintains Recalculating as an exhibition of paintings that makes its two distinct themes battle each other in order to expose their tenuous theoretical commonalities. On the surface ironic fairy tales of domestic disputes and shattered windows build a film noir representative of today’s sobered ideals. Below the surface is a painterly, Bauhaus-inspired formal deconstruction that sometimes hides beneath objects that are fully rendered. The paintings’ formal tension reflects their dissonant narratives, creating a universality that art aspires to.

Susan Bee: The first series of paintings are stills from film noirs, mostly black-and-whites that I’ve made in color. They’re arranged in an abstract narrative with recurring characters like the man with the hat and the blonde woman, driving, windows, guns – there’s a lot of hints of violence in the film noirs. They usually end badly.

Susan Bee: Recalculating -- New Paintings

at A.I.R. in Brooklyn, opens 5/26

May 25-June 19, 2011
Opening Reception: Thursday, May 26, 6-8 pm
A.I.R. Gallery, 111 Front Street, #228, in DUMBO, Brooklyn
GALLERY HOURS: Wed-Sun, 11AM - 6PM

Digital preview:
thirty-seven new paintings now on-line

Lawrence Schwartzwald photos Poets House April 16, 2011

Grand Piano reading

book arts

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