Kathy Acker at Buffalo, 1995
Kathy Acker at Buffalo in 1995 — an interview:
- on publishing her early works (7:23): MP3
- on fitting in and punk culture (2:43): MP3
- on working through problems of identity, language and appropriation (7:10): MP3
- on different feminisms (5:20): MP3
- on the Situationists (0:59): MP3
- on Pussy, King of the Pirates (2:23): MP3
- reading from "Ostracism's Story," Pussy, King of the Pirates (0:51): MP3
- on the Hammer Horror influence (1:27): MP3
- on trying to access already-there languages (5:48): MP3
- reading from "I Meet Myself," Pussy, King of the Pirates (5:42): MP3
- on accessing sexual language (1:20): MP3
- on shocking readers and reappropriating language (6:05): MP3
- on locating pleasure in writing (6:55): MP3
- on Empire of the Senseless (4:00): MP3
- on popular culture and appropriation (3:50): MP3
- on post-capitalist society (8:01): MP3
Listen to an audio recording of the complete discussion (1:10:13): MP3 .
Born and raised in New York City, novelist, poet and performance artist Kathy Acker came to be closely associated with the punk movement of the 1970s and '80s that affected much of the culture in and around Manhattan. She received her bachelor's degree from the University of California, San Diego in 1968; there she worked with David Antin and Jerome Rothenberg. Acker's body of work borrows heavily from the experimental styles of William S. Burroughs and Marguerite Duras. She often used extreme forms of pastiche and even Burroughs's cut-up technique.