Lisa Robertson’s epic, nothing-quite-like-it Cinema of the Present reads and screens like its title. I daresay it is a textual film. On paper. But moving. You often hear about “poetic” or “text-films” but on film. But what about the opposite? Films on paper. After you’re done reading it you will feel like you’ve just watched a film. The images will come back to haunt and unhaunt you over and over. You’ll remember and then you’ll remember you just read a book, not a film.