Sarah Bartlett

September picks: Duplan, Szymaszek, and Bartlett

Kenna O'Rourke

Capsule reviews

2016 titles from Anaïs Duplan, Stacy Szymaszek, and Sarah Bartlett reviewed in brief this month.

Three great 2016 titles from women poets reviewed in brief this month.

Recently in Jacket2

Language detained by saying

A note on Jordan Scott's 'Clearance Process' (2016)

Eric Schmaltz

In 2013, as part of the North of Invention conference (organized by Sarah Dowling and Charles Bernstein), poet Jordan Scott gave a presentation entitled “The State of Talk: Notes towards Speech Dysfluencies and State Interrogation Procedures and Techniques.” To much acclaim, Scott discusses the “lateral step” that he takes from his book Blert (2008) to consider “expanded

Rae Armantrout: Four new poems 2019

Jerome Rothenberg

LET IT GO

“Let it go,” they say, meaning whatever you were just feeling.

And the feeling before that too, if you can recall it. I don’t really distinguish

between feelings and thoughts.

Poets of the nineties: poetry against poetry

Huda Fakhreddine

From left to right: ʿImad Abu Salih, Iman Mirsal and Usama al-Danasuri — From left to right: ʿImad Abu Salih, Iman Mirsal, and Usama al-Danasuri

“Poets of the Nineties” is a phrase used to refer to a generation of Egyptian poets who came to prominence in the mid-1990s. A group of them called themselves al-Jarad (Locust). The nexus of the group was an underground magazine by the same name, founded in 1994 by a few members, most active among them are Ahmad Taha (b. 1950) and Muhammad Mitwalli (b. 1970). These writers intentionally disengaged from the motivations of their modernist predecessors.