Ethel Rackin

(Re)animating the city

A review of 'Deep City' by Megan Kaminski

Photo courtesy of Megan Kaminski.

In Deep City, Megan Kaminski extends Guest’s poetics, centering on the city as both physical, social phenomenon, and as ever-expanding dreamscape or imaginarium. In so doing, Kaminski creates a boundless repository for our often-intersecting and ever-shifting experiences of the present moment. As if setting a lens over the landscape of a collage-like city (at points the city seems determinable, at others not), Kaminski unearths a myriad of sense perceptions in organic (secular) time.

In “A Reason for Poetics,” collected in Forces of Imagination: Writing on Writing, Barbara Guest addresses the tension between physical and “mysterious” dimensions of poetry. Beginning a section titled “Poetic Codes,” Guest writes:

The lives that include us

A review of 'Trickster' by Randall Potts
Photo of Randall Potts (left) by Emily Dulla.

Our review-dialogue grew out of a conversation on Randall Potts’s work. After sharing topics of interest with each other — including Trickster’s treatment of animal imagery, the preservation of the natural world, Buddhist precepts, and the place of incantation or song in Potts’s imaginary — we developed our conversation into a book review. Although we covered many more topics than there is room to include in this space, we hope that this collaboration begins a larger discussion of Potts’s visionary work.

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