capsule reviews

Repetitions and arrangements

Quinn Gruber

Editorial assistant Quinn Gruber reviews three multitudinous poetry titles: Ringing the Changes by Stephanie Strickland; Repetition Nineteen by Monica de la Torre; and Illusory Borders by Heidi Reszies. Of Strickland's book, Quinn writes: Ringing the Changes sounds through the highly precise patterns of English bell ringing, producing a “work that transgresses the boundary between thought as act and thought as content.” A series of twenty-three “bells” of text resonate in “many different interlocking dimensions” of climate change, racial justice, art, and performance; in the unique changes, “each of these pocket universes of social and economic reality has its own structure and forms, its own space and geometry.” In the overwhelming crises of the present, Strickland reminds us what the body can do: “It can reach out. It can look up.”

Remembrance texts

Kelly Liu

Editorial assistant Kelly Liu reviews three 2020 titles from Wesleyan University Press, each touching on memory and loss: Now It’s Dark by Peter Gizzi, Un-American by Hafizah Geter, and A Forest of Names by Ian Boyden. Of Gizzi's book, Kelly writes: Now It’s Dark begins with a dedication: “for my brother Tom // also gone.” In the face of unrelenting, constantly encroaching threat of mortality, Gizzi pens a collection of poetry that mourns those who passed and those who will continue to. In a dark world inhabited by ghosts, simultaneously aftermath and augury, Gizzi wades through physicality with an acute sense of its already-absence. Perhaps its most haunting line, “Say what’s a grammar when you is no longer you,” questions the limits of language: how can language work when the object of reference no longer exists materially, when the ‘you’ who was once alive and breathing becomes the abstract ‘you’ left behind in thought? As it seeks to preserve some semblance of life, to write the phenomenological world into the world of poetry, Gizzi’s work is a continuous attempt to inscribe: “I want to tell you this isn’t just all song. // I want to say this scrap of paper had sky in it.”

Between kindness and precarity

Orchid Tierney

Orchid Tierney reviews three titles that engage with Anthropocene landscapes: Edgeland and other poems by David Eggleton; Habitat Threshold by Craig Santos Perez; and Mezzaluna: Selected Poems by Michele Leggott.

Truth and revolution

Gabriela Portillo Alvarado

Editorial assistant Gabriela Portillo Alvarado makes her capsule reviews debut with writing on three poetry titles featuring love, resistance, and truth: Valuing by Christopher Kondrich, Are the Rivers in Your Poems Real by Moez Surani, and dayliGht by Roya Marsh.

Clap, baby: like this

Kenna O'Rourke

Kenna O’Rourke takes another look at three 2018 poetry titles: Clap for Me That’s Not Me by Paola Capó-García, Baby, I Don’t Care by Chelsey Minnis, and Don’t Let Them See Me Like This by Jasmine Gibson.

Kenna O’Rourke takes another look at three 2018 poetry titles.

In hollows

Kenna O'Rourke

Kenna O’Rourke reviews three poetry titles featuring dysfunctional relationships: Red Mother by Laurel Radzieski, small siren by Alexandra Mattraw, and Without Protection by Gala Mukomolova.

Translating grief

Quinn Gruber

J2 summer intern Quinn Gruber writes on three translated titles that parse loss: Autobiography of Death by Kim Hyesoon, Time by Etel Adnan, and To the Ashes by Anzhelina Polonskaya.

Transfigurations/abstractions

Kelly Liu

Cover art from ‘Ideas Have No Smell: Three Belgian Surrealist Booklets.’

Editorial assistant Kelly Liu breaks down the poetics of the three translated booklets of Ideas Have No Smell: Three Belgian Surrealist Booklets, ed. and trans. M. Kasper: Transfigured Publicity by Paul Nougé, Abstractive Treatise on Obeuse by Paul Colinet, and For Balthazar by Louis Scutenaire.

Editorial assistant Kelly Liu breaks down the poetics of the three translated booklets of Ideas Have No Smell.

Ghostly intimacies

Orchid Tierney

Reviews editor Orchid Tierney reviews three uncanny poetry titles: Scorpio by Katy Bohinc, Sheep Machine by Vi Khi Nao, and Motion Studies by Jena Osman.

Reviews editor Orchid Tierney reviews three uncanny poetry titles.

Gaps in history

Julia Bloch

Editor Julia Bloch reviews three recent poetry titles invested in the gap: Inherit by Ginger Ko, Gilt by Raena Shirali, and Giraffes of Devotion by Sarah Mangold.

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