Touch the Donkey

Nikki Sheppy: Three new poems

rob mclennan

For many, Calgary poet Nikki Sheppy appeared out of nowhere when she won the 2013 John Lent Poetry-Prose Award, the result of which was published as the limited edition letterpress chapbook, Grrrrlhood: a ludic suite (Kalamalka, 2014).

Recently in Jacket2

January 2021 open reading period

Call for submissions

Jacket2

Jacket2 welcomes unsolicited queries during the month of January 2021. We are especially (though not exclusively) interested in queries of the following kinds: reviews of recent books or anthologies of poetics criticism and theory; reviews, articles, or essays that put texts, authors, or movements in conversation; articles, essays, or features on the ephemeral, the local, or the emergent; on poetic movements, topics, or groups, rather than single authors; articles, reviews, and features that engage with multilingual poetry and/or criticism, and/or poetry in and theories of translation; etc.

Jacket2 welcomes unsolicited queries during the month of January 2021. We are especially (though not exclusively) interested in queries of the following kinds:

— Reviews of recent books or anthologies of poetics criticism and theory

— Reviews and articles devoted to poets and poetries outside the US

— Reviews, articles, or essays that put texts, authors, or movements in conversation

— Coauthored reviews or essays

— Articles, essays, or features that engage with poetics during the COVID-19 pandemic

Partial objects

Jennifer K. Dick's 'Lilith: A Novel in Fragments'

Alexander Dickow

Author photo (left) courtesy of Jennifer K. Dick.

Artifact, from the Latin arte, “by or using art,” + factum, “something made.” But an “artefact,” in French, is also something accidental, a residual effect created by human beings that distorts observation of a natural phenomenon, like footsteps distorting a seismic measurement. Jennifer K. Dick’s Lilith revolves in part around this ambiguous status between the accidental and the deliberately formed: the reader encounters a series of enigmatic textual objects that seem alternately laden with meaning.

Rochelle Owens

'Patterns of Animus, Part Two,' a continuation

Jerome Rothenberg

[Rochelle Owens remains, as she has been for the preceding half-century, a necessary voice among the growing company of those American and world poets writing and performing at the limits. The work presented here is a follow-up to the first part of “Patterns of Animus” presented earlier on Poems and Poetics, and a harbinger of yet more works to come.