This essay is conjectural and conversational. Conversational with other texts, other minds; but also among the importantly divergent logics of poetry and discourse, discourse and exploratory essay. Decades ago, skeptical about the force of a strictly woman-centered feminist theory whose reactive stance seemed to corroborate the secondary status of the feminine in the age-old M/F binary, I was struck — in a sense, saved — by the realization of a gender and genre transgressive experimental feminine rooted in embodied female experience but integral to all struggles (personal, sociopolitical, ethical, and aesthetic) with the cultural coercions of an ubermasculine hegemony.
Antigone: I stand convicted of impiety, the evidence, my pious duty done … Chorus: The same tempest of mind as ever, controls the girl.
Despite the fact that gender identities are in increasingly complex conversation with biology and cultural construction the reductive force of patriarchy, with its sidekick misogyny, remains the catastrophic constant. — S. M. Quant
Sandy Pool hails from Erin, Ontario and is a holder of the prestigious Killam scholarship in poetics at the University of Calgary. Her first book Exploding Into Night was short-listed for the 2010 Governor General’s Award for poetry and Undark: An Oratorio was short-listed for an Alberta Book Award for Poetry and the Trillium Book Award for Poetry. Pool’s impressive background in many areas of theatre performance, creative writing, and libretto crafting lend a Euripidean sensibility and dramatic force to the latter marvel.