THE VERSATORIUM PLAYBOOK: HOW TO DO THINGS WITH TRANSLATION Seminar with Charles Bernstein & Peter Waterhouse on the poetics of transduction, substitution, and transformation, as well as the political role that translation can play as a site of activism and engagement. April 9, 2014.
Lyn Hejinan writes in The Book of A Thousand Eyes:
“The bed is made of sentences which present themselves as what they are Some soft, some hardly logical, some broken off Sentences granting freedom to memories and sights” 
If a bed is made of sentences, then we take rest, converse with the unconscious, locate freedom, the intimate, night, dark, gestational silence, the forming of images and ideas — all within what can be built from an assortment of varied sentences. Sentences become our increment, lumber, and leisure.
Lisa Robertson writes in her recent book, Nilling, “The most temporary membranes serve as shelter.”
What is it about the sentence that encourages one to stretch out?
Der Hammer, a publication from Vienna's Alte Schmiede, has just published this issue of German translations, including multiple versions of "Johnny Cake Hollow" – a preview of a book in the works from Edition Korrespondenzen, translated by Peter Waterhouse, Katharine Apostle and the Versatorium crew at the University of Vienna, Comparative Literature program. Video of our Alte Schmiede reading was posted her last month.
A raucous evening of translations and transformations, performances and metamorphoses in/around All the Whiskey in Heaven and "Johnny Cake Hollow."Charles Bernstein with Miriam Rainer, Julia Dengg, Manuel Niedermeier, Dimitri Smirnov, Helmut Ege, Franz Vala, Judith Aistleitner, Nina Truskawetz, and Peter Waterhouse. With thanks to Katharine Apostle. Filmed by August Bisinger