negative capability

Quantum computing is the new negative capability

Amy Catanzano

Purported quantum supercomputer, courtesy of D-Wave via NPR

While quantum supercomputers are still at the early stages of development, they will replace digital computers, making the processing of data billions of times faster. Whereas digital computers rely on the binary code of 1 and 0, quantum supercomputers use qubits that can exist as 1, as 0, and, most importantly, as any superposition between 1 and 0. The binary code in digital computing exists in one of two definite states: “You’re either with us or against us....”—George W. Bush, 2001. Unlike binary code, quantum supercomputer qubits behave as probabilistic superpositions of all states like the way subatomic particles behave in Werner Heisenberg’s quantum mechanics.

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Toward a poetry and poetics of the Americas (11): from the Popol Vuh (Mayan)

Jerome Rothenberg

The Popol Vuh, literally “the book of the community” (or “commonhouse” or “council”), was preserved by Indians in Santo Tomás Chichicastenango, Guatemala, and in the eighteenth century given to Father Francisco Ximénez who transcribed it in roman letters and put it into Spanish; vanished again and rediscovered in the 1850s by Carl Scherzer and Abbé Charles Etienne Brasseur de Bourbourg.

Translation from the Mayan by Dennis Tedlock

this is the beginning of the ancient word,

here in this place called k’iche’

Here we shall inscribe,

we shall implant the Ancient Word,

Elsewhere is here

A review of 'The Camel's Pedestal' by Anne Tardos

John Olson

Photo of Anne Tardos (right) at the Kelly Writers House, March 15, 2016, taken by Writers House staff.

It’s exhilarating to say things. Giddy and strange to put things in the air nobody has heard. Exultant and juicy to make proposals at the interphase between language and reality. I feel these things keenly reading Anne Tardos. “It must be crisp not cryptic, if you want to write,” reads the first line of “Gentle Deer On 10th Avenue,” “There is this come-and-go of ideas, impressions, fears, uncertainties.”[1]

Sylvia Plath's 'The Bell Jar'

Anna Vitale

Sylvia Plath spent the summer of 1953 in New York working for Mademoiselle magazine. In the first sentence of The Bell Jar, Esther Greenwood, Plath’s narrator, tells us “I didn’t know what I was doing in New York.” Esther’s inability to know — to know what she was doing and whether her life was worth it — is contextualized by the executions of Julius and Ethel Rosenberg.