Marcel Duchamp

Bill Berkson on radio in 1979 reads "Duchamp Dream"

When Alan Bernheimer hosted Bill Berkson on the In the American Tree radio program, September 7, 1979, Berkson read eleven poems, including “Duchamp Dream,” and “Camera Ready Like a Dream.” Although this recording has been available through PennSound for several years, only today have we had a chance to sort out the poems he read on that occasion, and to segment them. Go to PennSound's Bill Berkson page for links to these poems, and more.

Marjorie Perloff's talk on the exhibition context for Duchamp's "Fountain"

Marjorie Perloff visited the Kelly Writers House in Philadelphia for most of four days this week – as a Kelly Writers House Fellow. For three hours on Monday, she met with 21 undergraduates in the so-called Writers House Fellows Seminar; they had read and discussed her writings for the previous five weeks. That evening – April 25, 2011 – she gave a 55-minute talk that, in part, offered the full context for Marcel Duchamp's attempt to exhibit his pseudonymous readymade, "Fountain" (1917). 

Marcel Duchamp

He never had any why.

Marcel Duchamp on painting: "I don't believe in the magic of the hand." Q. "Why did you retire from the world of art?" A. "I couldn't tell you why. I never had any why... Painting always bored me."

From a television interview conducted by Russell Connor on the occasion of the Boston Museum of Fine Arts exhibit of the work of Duchamp’s brother, Jacques Villon, 1964.

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Here are the full details about the video:

Marcel Duchamp Interviewed by Russell Connor
Museum of Fine Arts Boston in association with WGBH-TV
1964, 29:02 min, b&w;, sound

Russell Connor interviews Marcel Duchamp on the occasion of the Boston Museum of Fine Art's exhibition of the work of Duchamp's brother, "Impressionist-Cubist" Jacques Villon (formerly Gaston Duchamp). Connor first introduces paintings, etchings, sculpture and lithographs by Villon, and is then joined by Duchamp, who discusses Villon's work and contributes his thoughts on art in general. This fascinating document gives the viewer a rare opportunity to hear the legendary Dadaist as he reveals observations on the state of art in the 1960's.

Presented by Museum of Fine Arts, Boston in association with WGBH-TV, Boston and the Livell Institute Cooperative Broadcasting Council. Director: Allan Hinderstein. Lighting Director: Linda Beth Hepler. Video: Al Potter. Audio: Will Morton. Recordist: Pat Kane. Associate Producer: Thalia Kennedy. Executive Producer: Patricea Barnard.

Buy it here: LINK.

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