How many ways there are to build a space within space. I visited Dia:Beacon in New York recently. Once a Nabisco box-printing factory, the Dia in its enormity and light provides examples: build a space with threads, like Fred Sandback, or build a space with light, like Dan Flavin, or build a space with space, like Carl Andre.
Frédéric Forte’s mad, methodical Minute-Operas is broken into two parts: phase one, January–October 2001, and phase two, February–December 2002. Each phase is itself broken into five twelve-page sections.
Lisa Robertson’s epic, nothing-quite-like-it Cinema of the Present reads and screens like its title. I daresay it is a textual film. On paper. But moving. You often hear about “poetic” or “text-films” but on film. But what about the opposite? Films on paper. After you’re done reading it you will feel like you’ve just watched a film. The images will come back to haunt and unhaunt you over and over. You’ll remember and then you’ll remember you just read a book, not a film.