Close Listening

Cia Rinne on Close Listening

Cia Rinne was born in Sweden from a Finnish family and raised in Germany. She has studied in Frankfurt/Main, Athens and Helsinki. Rinne is the author of the books zaroum, and notes for soloists, as well as being a collaborator on numerous multimedia and performance works. The program was recorded on September 30, 2014.

Close Listening, with host Charles Bernstein

Miles Champion on Close Listening

Photo by Alan Bernheimer.
Photo by Alan Bernheimer.

Miles Champion grew up in England and moved to the U.S. in his early 30s. His books include Compositional Bonbons PlacateSore Models, Three Bell Zero, and, just out from Pressed Wafer, How I Became a Painter: Trevor Winkfield in Conversation with Miles Champion. He lives in Brooklyn, NY. On this show, Miles reads his new book, How to Laugh, which is forthcoming from Adventures in Poetry.

Program One: Champiom reads How To Laugh: (24:16): MP3
Program Two: Conversation with Charles Bernstein:(28:52): MP3

Performance of Freedom: Tonya Foster on Close Listening

reading and conversation

Reading from Swarms of Bees in High Court (24:50): MP3
Conversation with Charles Bernstein (45:20): MP3

recorded June 18, 2013

Stanley Cavell on Close Listening

Stnaley Cavell at the Unversity of East Anglia, July 2009

Gerrit Lansing on Close Listening

photos and video by Ernesto Livon-Grosman

Program One:
Gerrit Lansing reads selections from his collected poems, The Heavenly Tree / Northern Earth (North Atlantic, 2009)
(26:40): MP3

Program Two:

(55:43): MP3
Gerrit Lansing talks with Charles Bernstein, and guest Susan Howe, at Lansing’s house in Gloucester, Mass. Lansing, a close friend of Charles Olson, discusses the wild of Gloucester, the relation of the magic (and the magical) and the occult to poetic practice, Nerval, queer politics and the poetics identity, New York in the immediate postwar period, parapsychology at Harvard in the late 1940s, Gnosticism versus neo-Platonism, Jewish mysticism, and his connections with Henry Murray, Harry Smith, Alan Watts, Aleister Crowley, Carl Jung, and John Ashbery.

Revolution with a twist

Kamau Brathwaite

Kamau Brathwaite (Photo credit: Beverly Brathwaite)

In this commentary, I will explore what I term the “iterative turn” in contemporary poetry. I take iteration to encompass a range of poetic practices, including repetition, sampling, performance, versioning, plagiarism, copying, translation, and reiterations across multiple media. I will focus here especially on how iterative poetry engages forms of political, economic, linguistic authority and their intertwinement with questions of media. The iterative turn in poetry can be understood not just as a shift in rhetorical form but also as an ethical and political response to the crisis in authority engendered by the rise of new technologies of reproduction and the increasing pace of globalization since the late 1980s. In the posts that follow, I will map out just a few of the many forms that this response takes under four broad headings: revolution, copyright, translation, and the book.

Joel Kuszai on Close Listening

© Bernstein/PennSound 2011
© Bernstein/PennSound 2011

Appearing on Close Listening with Charles Bernstein, September 12, 2011

Program One: Reading from Accidency

  • complete reading (24:55): MP3

Program Two: Conversation

  • complete conversation (43:19): MP3

Sounding the Word: Foreword to Audiobooks, Literature, and Sound Studies (Routledge)

from Harper's, March 2011


pdf

My foreword to Audiobooks, Literature, and Sound Studies, just out from Routledge, which appeared in the March Harper's. Most closely related to PennSound, see an article by Michael Hennessey on the Giorno Poetry Systems and also Jesper Olsson on the poetics of the tape recorder.

Jerome McGann on Close Listening

Johanna Drucker on Close Listening

@ PennSound

Drucker by Bernstein
photo © 2006 Charles Bernstein

complete reading (28:41): MP3
complete conversation with Charles Bernstein(29:47):
MP3
Kelly Writers House, March 14, 2011

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