Close Listening

John Ashbery in conversation on Close Listening

©Susan Bee, 9-15-08

John Ashbery in conversation with Charles Bernstein on March 18, 2016. Listen here (28:20): MP3. Ashbery talks about his two shows of collages at Tibor de Nagy gallery and the relation of these collages to his poetry; about his engagement with French poetry, including the work of Pierre Martory, Giorgio de Chirico , and Raymond Roussel; and about his love of television cooking shows. 

This is program #148 of Close Listening. Close Listening is produced for Clocktower Radio in collaboration with PennSound. Full series available for streaming or download here.

John Ashbery in conversation with Charles Bernstein on March 18, 2016.

(28:20):  MP3

Ashbery talks about his two shows of collages at Tibor de Nagy gallery and the relation of these collages to his poetry; about his engagement with French poetry, including the work of Pierre Martory, Giorgio de Chirico , and Raymond Roussel; and about his love of television cooking shows. 

Julie Patton on Close Listening

© 2016 Charles Bernstein / PennSound

Program one, reading (39:57): MP3
Program two, conversation with Charles Bernstein (45:29): MP3

On Program one, Julie Patton reads, performs and rips  "Car Tune," "Using Blue to Get Black," "Scribbling thru the Times,"  and "Notes for Sum (Nominally) Awake."

Close listening with Keith Waldrop, 2009

Keith Waldrop reads at the Kelly Writers House, 2009.

Editorial note: The following has been adapted from a Close Listening conversation recorded November 5, 2009, at the Kelly Writers House for PennSound and Art International Radio. Keith Waldrop was born in Kansas and attended a fundamentalist high school in South Carolina. His pre-med studies were interrupted when he was drafted to be an army engineer.

Delany on Close Listening, April 2014

Samuel Delany (left) and Charles Bernstein (right) in a still of the recording of Close Listening.

Editorial note: The following has been adapted from a Close Listening conversation recorded as part of “The Motion of Light: A Tribute to Samuel R. Delany,” a program hosted at the Kelly Writers House in April 2014. The conversation was transcribed by Tracie Morris. Listen to the audio program here. — Julia Bloch

 

Vulgar Beauty: Bill Berkson on Close Listening

Berkson & Bernstein, at Penn, by Thomas Devaney

Bill Berkson in conversation with Charles Bernstein on Close Listening (36:56): MP3
Berkson in conversation with Bernstein undergraduate seminar (34:49): MP3

February 10, 2014, University of Pennsylvania; recorded and edited by Bernstein.  Bill Berkson discusses unprincipled poetry, vulgar beauty,  the poetics of surface, the emergence of the New American Poetry, the trap of being too serious, and the possibilities of the unexpected.

Cia Rinne on Close Listening

Cia Rinne was born in Sweden from a Finnish family and raised in Germany. She has studied in Frankfurt/Main, Athens and Helsinki. Rinne is the author of the books zaroum, and notes for soloists, as well as being a collaborator on numerous multimedia and performance works. The program was recorded on September 30, 2014.

Close Listening, with host Charles Bernstein

Miles Champion on Close Listening

Photo by Alan Bernheimer.
Photo by Alan Bernheimer.

Miles Champion grew up in England and moved to the U.S. in his early 30s. His books include Compositional Bonbons PlacateSore Models, Three Bell Zero, and, just out from Pressed Wafer, How I Became a Painter: Trevor Winkfield in Conversation with Miles Champion. He lives in Brooklyn, NY. On this show, Miles reads his new book, How to Laugh, which is forthcoming from Adventures in Poetry.

Program One: Champiom reads How To Laugh: (24:16): MP3
Program Two: Conversation with Charles Bernstein:(28:52): MP3

Writing in situ

Close Listening with Wystan Curnow

Editorial note: Poet, art critic, and curator Wystan Curnow, who was named after W. H. Auden, was born in Christchurch, New Zealand, in 1939. He pursued his PhD at the University of Pennsylvania before returning to the southern hemisphere to teach at the University of Auckland, though his creative travels have included visiting professorships in New York and California. Curnow’s multigeneric poetry of spatial, cultural, and historical multiplicity can be found in such collections as Back in the USA (Black Light Press, 1989), Cancer Daybook (Vanguard Xpress, 1989), and Modern Colours (Jack Books, 2005). This April 7, 2009, conversation with Charles Bernstein was the second of two episodes in Bernstein’s renowned radio program, Close Listening. You can listen to both programs here. This conversation was transcribed by Michael Nardone and edited by Katie L. Price. — Kenna O’Rourke 

Performance of Freedom: Tonya Foster on Close Listening

reading and conversation

Reading from Swarms of Bees in High Court (24:50): MP3
Conversation with Charles Bernstein (45:20): MP3

recorded June 18, 2013

Stanley Cavell on Close Listening

Stnaley Cavell at the Unversity of East Anglia, July 2009
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