Christine Wertheim

U+F+O+L+A+N+G+U+A+G+E

“Poetics as a Theory of Everything." Maria Damon and Ira Livingston.
“Poetics as a Theory of Everything,” cross-stitched by Maria Damon and quoting Ira Livingston. Damon made the piece to serve as the cover image for Livingston’s book, Poetics as a Theory of Everything, forthcoming, 2014. Image courtesy of Ira Livingston and Maria Damon.

One of the central unified field theories of quantum gravity is string theory or superstring theory, where spacetime is conceived of as an ambiguous ecology. In string theory, the known universe is thought to be part of a larger wilderness of universes, the multiverse, which is comprised of multiple and perhaps infinite dimensions of space and time that are created by collisions between subatomic, vibrating membranes of energy known as open and closed strings. The theory defines the evolution of space and matter from the connections between these vibrating membranes of energy. String theorists aim to reconcile quantum mechanics and relativity into a single description of physical reality that is often referred to in contemporary physics as a Theory of Everything.

Upon reading Christine Wertheim’s mUtter-bAbel (Counterpath Books, 2014), where Wertheim tells the “story of language and some bodies of the word made flesh in a child’s imagination” through visual poems often highlighting the letter “o” that sonically treat words as “vocal organs,” I thought about the open and closed strings in string theory and wondered if the author was—consciously or without intent—responding to the colliding, subatomic, vibrating membranes of energy that string theorists think create the multiple dimensions of the multiverse.

'Séance', 'n/Oulipo', 'Impunities', 'Feminaissance', & 'Untitled'

by Matias Viegener & Christine Wertheim

Vincent Dachy & Julie Patton at Untitled
Vincent Dachy & Julie Patton at Untitled

In the early 2000s there were already many innovative writers, writing programs and bookstores in LA. However, the main performance venue for experimental writers, Beyond Baroque, lay on the west side of town, once the artistic center of bohemian LA, but now so wildly expensive no young or fringe writers could possibly live there. These now lived on the east side, where readings were held on an ad hoc basis in nightclubs, bookstores and galleries. We decided to intervene in this state of affairs by creating an annual conference for experimental writing at REDCAT, CalArts downtown arts space. Supported by the CalArts MFA in Writing and a generous grant from The Annenberg Foundation, between 2004 and 2010 we hosted 5 conferences in LA and 1 in NY, composed of daytime panels, evening readings, and workshops. In total, over 100 writers participated from the US, Canada, Mexico, the UK and France, helping to coalesce the nascent LA community. Three of the conferences yielded anthologies, Séance (Make Now Press), The Noulipean Analects (Les Figues Press), and Feminaissance (Les Figues Press).

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