I had been hesitating to ask Diana Hamilton to talk about emotion / feelings / affect in her work, in part, because I was beginning to feel concerned that a tendency might be emerging in this column: a) that I’d somehow been asking more of my “female” correspondents to write on content questions, and b) that some of those content questions could look "soft" even though the answers I’ve been getting are quite brilliant and sometimes pretty hard-hitting. I mean, I asked Holly Melgard “Why childbirth” but could have asked her about her brilliant work with and on Troll Thread! But of course the issues raised by her childbirth performance are anything but soft or simple, and Holly’s answer makes that clear enough. Diana Hamilton’s brilliance, humor, and theoretical prowess deeply impress me. For the past few years she's been doing alot of heavy reading and thinking in the Comparative Literature Program at Cornell, where's she's earning her Ph.D. I remember her making some helpful theoretical connections in a Freud-Lacan reading group we both took part in a couple of years ago and was especially grateful for the work she and Kareem Estefan did unpacking Lacan’s diagrams.
My favourite poem from Jill Jones's recent Dark Bright Doors (Wakefield 2010) was the uncharacteristically (relatively) aggressive 'Leaving it to the Sky', which included memorable lines like 'I'm having a yak with a piece of paper'. It showed another side to the generally more philosophical - if problematising - poet. A new poem 'Misinterpretations/ or the Dark Grey Outline' in overland 204 continues to work this mode.