A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Maggie Estep
When in my quick modern/postmodern American poetry survey course I teach the Beats (in two class sessions!), I briefly follow a few paths forward to see and hear where Beat poetics point. An example of one fairly narrow path leads to the rage for Maggie Estep, whose appearance on MTV (poetry on MTV--remember that?) was pretty much a sensation. Here is a recording of Estep performing "That Stupid Jerk I'm Obsessed With." Note that her final line is: "And I couldn't be happier." Try to figure out if she means that. And, yes, her bootlace is untied.