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Harold Abramowitz & Andrea Quaid |
A Primer |
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Charles Alexander |
A wing & a word |
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Brian Ang |
PennSound & Politics |
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Maya Arthur |
Black Life, Quiet |
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Oana Avasilichioaei |
Folding Borders: Experimenting in the Canadian Laboratory |
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Gary Barwin |
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Eric Baus |
Notes on PennSound |
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Jasper Bernes, Joshua Clover, and Juliana Spahr |
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Charles Bernstein |
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Julia Bloch |
Against the weather: On teaching Williams |
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Amaranth Borsuk |
Artists' books in the age of digital publishing |
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Jeff Boruszak |
Notes from PennSound |
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Jules Boykoff and Kaia Sand |
Moxie politik |
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David Brazil |
A Holy Forest |
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Pam Brown |
Jacket the first |
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Laynie Browne |
The poet's novel |
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Sommer Browning |
How Many Poets Does it Take to Screw in a Light Bulb? |
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Tisa Bryant |
(Un)lived/experience |
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David Buuck |
Performance/poetics |
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Capsule reviews |
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J. R. Carpenter |
Performing digital texts in European contexts |
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Julie Carr |
The Real Life of Poetry |
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aj carruthers |
The Lives of the Experimental Poets |
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Laura Carter |
Small presses on the move |
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Amy Catanzano |
Quantum poetics |
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Natalia Cecire |
The poetics of irritation |
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Jennifer S. Cheng |
Other ways of seeing: The poetics and politics of refraction |
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Clipping |
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Stephen Collis |
Neighbouring zones |
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Stephen Collis |
The Rise of the Biotariat |
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David Colón |
100 years of hispanglo poetics |
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Randall Couch |
Cavafy in English: The sesquicentennium approaches |
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Michael Cross |
Prolegomena to (Any Future) Process Poetics |
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Amelia Dale |
Sydney reading experiments: Poetry in performance |
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Maria Damon |
Metaphor is the return of the repressed |
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Adam Dickinson |
Metabolic Poetics |
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Thom Donovan |
SELF | LIFE | WRITING |
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Sarah Dowling |
Languages |
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Marcella Durand |
Geometries of landscape |
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Patrick Durgin |
Witness |
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Kristin Dykstra |
Intermedium |
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Jacob Edmond |
Iterations |
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Mercedes Eng |
Unceded west coast city: Vancouver |
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Steve Evans |
The phonotextual braid |
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Huda Fakhreddine |
Arabic Modernism's Other Tradition |
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Michael Farrell |
Australia, Fitzroy |
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Farnoosh Fathi |
One knock for the clown |
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Al Filreis |
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First Readings |
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Chris Funkhouser |
In audio practice |
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Kristen Gallagher |
Gossip or history |
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elena gomez |
pics & illos &c. |
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Jaime Groetsema and Amanda Rybin Koob |
Community Praxis in Naropa Audio Archives |
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Piotr Gwiazda |
Transpositions |
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Michael S. Hennessey |
Editor, Jacket2 and PennSound |
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Fiona Hile |
Notes on Australian poetic communities |
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Jen Hofer |
Trans positions |
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Anna Maria Hong |
Tweens: Asian American Poetry & Poetics in the 2010s |
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Walt Hunter |
Speculations: new Irish poetry |
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Jacket2 Editors |
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Tsitsi Jaji |
Good news from Africa |
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Paul Jaussen |
Detroit poetries: Field notes |
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Pierre Joris |
Nomadics |
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Hilary Kaplan |
Brazilian poetry and poetics |
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Erica Kaufman |
Pedagogy and poetry |
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Davy Knittle |
Queer Urban Poetics |
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Aaron Kunin |
The wish to be an object |
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Sueyeun Juliette Lee |
Time text body noise |
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William Lessard |
Digital Poetics |
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Ariel Goldberg and Rachel Levitsky |
Social reading |
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Joel Lewis |
"What do you know of our New Jersey iron saints?" |
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Astrid Lorange |
Fossicks and offerings from Sydney |
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Anthony Madrid |
Twenty-six items from Special Collections |
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Jill Magi |
A textile poetics |
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Pattie McCarthy |
Subdomestictext |
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rob mclennan |
Some notes on Canadian poetry |
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Joe Milutis |
Bright arrogance |
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ModPo |
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Rajiv Mohabir |
Coolitude: Poetics of the Indian Labor Diaspora |
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Tracie Morris |
Poetry seen and unseen |
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Garry Thomas Morse |
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Erín Moure |
T r a n s l a t i o n ' s__H o m e o p a t h i c__G e s t u r e s |
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Marci Nelligan |
Inside the Black Writers Museum |
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Aldon Nielsen |
RECONCEPTUAL |
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Tom Orange |
A great ringing edifice |
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Angela Hume, Gillian Osborne, and Margaret Ronda |
Field notes from the 2013 Conference on Ecopoetics |
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Jena Osman |
Psychogeographies |
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Craig Santos Perez |
Last commentator in paradise |
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M. NourbeSe Philip |
Covidian catastrophes: deep, dark places of light |
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Vanessa Place |
Global conceptualisms |
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Poetic Languages of Latvia |
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PoemTalk |
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QUICK QUESTION |
KATIE L. PRICE |
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Andrea Quaid |
Epic Engagements |
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Vaughan Rapatahana |
Ngā whakaaro |
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Vaughan Rapatahana (new) |
Feasting in the Skinny Country: Aotearoa New Zealand Poetry |
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a rawlings |
AÐ LANDA |
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Kimo Reder |
A p.s. to Genesis: notes on transgenic/bio-poetic art |
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Margaret Rhee |
Automated Poetics |
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Deborah Richards |
Putting it on |
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Roopika Risam |
Postcolonial digital poetics |
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Jack Ross |
Notes on NZ poetry |
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Jerome Rothenberg |
Poems and poetics |
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Michael Ruby and Sam Truitt, curators |
Poetry and the 2020 election |
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Linda Russo |
Emplaced and local to |
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Kyle Schlesinger |
Book arts |
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Eric Schmaltz |
Poetries of the Mouth and Canadian Imaginary |
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Kathy Lou Schultz |
Epic worlds |
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Susan M. Schultz |
Experimental poetries in the Pacific / editing Tinfish Press |
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Joshua Schuster |
Post-Ecopoetics |
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Leonard Schwartz |
Cross Cultural Poetics commentary |
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Anne Lesley Selcer |
The Unproductive Mouth |
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Robert Eric Shoemaker |
Magical Poetics |
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Sandra Simonds |
Marxist-Feminist Dispatches from Florida |
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Laura Sims |
Reports from the archives |
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Jonathan Skinner |
Ecopoetics |
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Danny Snelson |
Reissues commentary |
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CARLOS SOTO-ROMÁN |
Chilean poetics |
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Leah Souffrant |
A slowing: Poetics and attention |
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Honora Spicer |
Architectures of Disappearance |
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Jared Stanley |
Seeking it Outside Poetry |
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Jessica Suzanne Stokes |
Discordance: Disability Poetics In Process and Community |
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Timmy Straw |
Twelve gates to the city: contemporary Moscow poetry |
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Shannon Tharp |
The Little Magazine in America Collection at University of Denver Libraries |
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Orchid Tierney and David Howard |
Cracked mirrors |
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John Tranter |
Under the horizon |
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Divya Victor |
DISCOURSES ON LOCALITY: Singapore |
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Anna Vitale |
Suicidal Fantasy and the Life of the Author |
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MARCI VOGEL |
A poetics of the étrangère |
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Dee Morris & Stephen Voyce |
Counter map collection |
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Barrett Watten |
My presentism |
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Christine Wertheim |
Fous Littéraires: Mad linguists and other literary fools |
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Laura Wetherington |
Language and its double |
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Tyrone Williams |
Hunches, hedges, etc. |
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Mia You |
The Uses of the erotic |
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Stephanie Young |
The more territories, the more circulation |
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Magdalena Zurawski |
FEEL BEAUTY SUPPLY |