Jaime Groetsema and Amanda Rybin Koob

We invited all of the panelists from the June 11, 2012 “Archival Poetics and the War on Memory” event at Naropa to respond or expand on their contributions to the panel, as well as to respond to the Naropa archives and their poetic practice. Here are Eleni Sikelianos’s comments.

Jaime Groetsema/Amanda Rybin Koob: How has working with the Naropa Archive changed/influenced your understanding of archives/archival theory/archival practice? 

Rybin Koob: Eleni Sikelianos, poet and teacher, follows Steve Dickison’s reflection on archives and naming during the 2012 Naropa Summer Writing Program panel Archival Poetics and the War on Memory:

01:03:02: I want to underline Anne’s call here, to go and listen to the archives here. Amazing, amazing things, available just a few feet away.

Steve Dickison, writer, teacher, and Director of the Poetry Center and American Poetry Archives at San Francisco State, manages a large collection of audio recordings dating back to 1954. He begins his contribution to the 2012 Naropa Summer Writing Program panel “Archival Poetics and the War on Memory” by discussing the difficulty of cataloging recordings so listeners don’t have to just “wade in unknowingly.” 

It would be a worthy metaproject to attempt to trace instances of this concept of “archives” in the JKS SWP audio and video archive — patterns, evolutions, and contradictions — but here, we look just briefly at one potent recording, the 2012 JKS SWP opening panel “Archival Poetics and the War on Memory” (this panel takes its name from Steven Taylor’s June 2007 essay “Remember the Future: Archival Poetics and the War on Memory” published in Beats at Naropa (Coffee House Press, 2009).

Is it necessary to think about community from an ecological point of view? If so, would our depicted world community be more populated with trees than our current ecological moment?