Sylvia Plath

No, MY Ariel

An engagement with Sina Queyras's 'My Ariel'

Margaret Christakos

In the first poem of Sina Queyras’s poetry collection My Ariel, an I-speaker testifies that “A love procedure set me going like a big fat lie.” This line directly overwrites one of Plath’s most famous lines — “Love set you going like a fat gold watch” — often quoted to portray Sylvia’s personal experience of new motherhood on the occasion of her daughter Frieda’s birth.

February 5 [2018]

January 16, 2019

The after-hell (PoemTalk #129)

Sylvia Plath, 'The Stones'

PoemTalk
From left: Susan Schultz, Sally Van Doren, and Huda Fakhreddine.

LISTEN TO THE SHOW

Susan Schultz, Sally Van Doren, and Huda Fakhreddine joined Al Filreis to talk about Sylvia Plath’s poem “The Stones.” It was written in October or early November of 1959 and appears as the seventh poem in a seven-part sequence called “Poem for a Birthday.” The recording the group hears at the start of the conversation comes from a studio performance Plath did for BBC Records between 1960 and 1962 (and this particular performance probably dates from 1962). The most readily accessible copy of the audio has been posted at YouTube.

October 2, 2018

Sylvia Plath's 'The Bell Jar'

Anna Vitale
The Bell Jar (Faber & Faber)
The Bell Jar (Faber & Faber)

Sylvia Plath spent the summer of 1953 in New York working for Mademoiselle magazine. In the first sentence of The Bell Jar, Esther Greenwood, Plath’s narrator, tells us “I didn’t know what I was doing in New York.” Esther’s inability to know — to know what she was doing and whether her life was worth it — is contextualized by the executions of Julius and Ethel Rosenberg.

Their execution is everywhere she turns. “The idea of being electrocuted makes me sick, and that’s all there was to read about in the papers — goggle-eyed headlines staring up at me on every street corner and at the fusty, peanut-smelling mouth of every subway.” Despite being the one who is free and alive, Esther feels impossibly trapped. When execution is all there is to read about, it is also all one can write about.

Sylvia Plath spent the summer of 1953 in New York working for Mademoiselle magazine. In the first sentence of The Bell Jar, Esther Greenwood, Plath’s narrator, tells us “I didn’t know what I was doing in New York.” Esther’s inability to know — to know what she was doing and whether her life was worth it — is contextualized by the executions of Julius and Ethel Rosenberg.

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