Sunaura Taylor

Pace and place: disability politics at desert speeds

An interview with Naomi Ortiz

A white Mestiza woman stands in the desert wearing a purple top and blue bandana — Naomi Ortiz

From belly button to umbilical cord to roots, Naomi Ortiz traces the relationships between body and place in her work. In the opening of Sustaining Spirit, Ortiz asks: “¿y donde esta tu ombligo? Where are you centered or rooted?

Recently in Jacket2

Topsy-Turvy

Charles Bernstein

Please buy the book directly from the publisher, University of Chicago Press, or a local bookstore, including Bridge Street Books, SemCoop, Talking Leaves, Indiebound, McNally-Jackson, and Bookshop.Org.

176 pages, paper and ebook. Audiobook is from Chicago and Amazon/Aubible.

Jerome Rothenberg

Ian and me: A collaboration (redux)

Jerome Rothenberg

[In memoriam, Ian Tyson (1933–2021), painter, printmaker, sculptor, and extraordinary book artist, who was my dear friend and frequent collaborator over a half-century and more. (j.r.)]

I have tried an altenstil / & dropped it. — J.R., A Book of Witness, 2003

Reading 'Los muros no son para siempre'/'Walls are not forever'

Honora Spicer

Maire Reyes, Nayeli Hernández, Iris Díaz, Ana Iram, Paloma Galavíz, Olga Guerra, Marcia Santos, and Alejandra Aragón, ‘Los muros no son para siempre’ (Walls are not forever) (Ciudad Juárez: Casa Centro X16, 2019)

The zine opens to a map of dotted lines: barbs on a wire, punctured lines symbol of trails, punctuation of walking routes. The lines trace a walk taken on October 13, 2019, by border artists Maire Reyes, Nayeli Hernández, Iris Díaz, Ana Iram, Paloma Galavíz, Olga Guerra, Marcia Santos, and Alejandra Aragón.