A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Firewood/Foreword to Reading Experimental Writing, ed. Georgina Colby
Reading Experimental Writing
Edited by Georgina Colby
Edinburgh University Press (2020): NOW OUT in cloth
Paperback will be published in August 2021
The essays comprising this conceptually rich and astutely edited volume read contemporary experimental writing in terms of its engagement with a genuinely historical present moment, unfolding at manifold sites of turbulence. The result is a set of extraordinarily timely essays on aesthetic activism, reflecting an array of perspectives while sharing a sense of the contemporary as emergent and still incomplete. This is a powerful contribution to the moment, and one with long term significance.
- Lyn Hejinian
“Firewood/Foreword,” Charles Bernstein (full text below)
“Introduction: Reading Experimental Writing,” Georgina Colby
1. “‘Fog is My Land’: A Citizenship of Mutual Estrangement in the Painted Books of Etel Adnan,” Jennifer Scappettone
2. “Reading Happily with John Cage, Lyn Hejinian, and Others,” Alex Houen
3. “Experiment, Inscription and the Archive: Kathy Acker’s Manuscript Practice,” Georgina Colby
4. “Rereading Race and Commodity Form in Erica Hunt’s ‘Piece Logic,’” Chris Chen
5. “Contemporary Experimental Translations and Translingual Poetics,” Sophie Seita
6. “On Joan Retallack’s Memnoir: Investigating ‘the Experience of Experiencing,’” erica kaufman
7. “A Queer Response to Caroline Bergvall's Hyphenated Practice: Toward an Interdependent Model of Reading,” Susan Rudy
8. “Reading Language Art in Digital Media: Reconfigurations of Experimental Practices,” John Cayley
9. “Charles Bernstein’s Walter Benjamin, Among Other Things,” Peter Jaeger