Franklinstein

On Susan Landers's 'Franklinstein': queer / neighborhood / preservation

Davy Knittle

It’s often the closing thoughts of critical works in and around urban history that show the author at their most utopian.

Recently in Jacket2

Topsy-Turvy

Charles Bernstein

Please buy the book directly from the publisher, University of Chicago Press, or a local bookstore, including Bridge Street Books, SemCoop, Talking Leaves, Indiebound, McNally-Jackson, and Bookshop.Org.

176 pages, paper and ebook. Audiobook is from Chicago and Amazon/Aubible.

Jerome Rothenberg

Ian and me: A collaboration (redux)

Jerome Rothenberg

[In memoriam, Ian Tyson (1933–2021), painter, printmaker, sculptor, and extraordinary book artist, who was my dear friend and frequent collaborator over a half-century and more. (j.r.)]

I have tried an altenstil / & dropped it. — J.R., A Book of Witness, 2003

Reading 'Los muros no son para siempre'/'Walls are not forever'

Honora Spicer

Maire Reyes, Nayeli Hernández, Iris Díaz, Ana Iram, Paloma Galavíz, Olga Guerra, Marcia Santos, and Alejandra Aragón, ‘Los muros no son para siempre’ (Walls are not forever) (Ciudad Juárez: Casa Centro X16, 2019)

The zine opens to a map of dotted lines: barbs on a wire, punctured lines symbol of trails, punctuation of walking routes. The lines trace a walk taken on October 13, 2019, by border artists Maire Reyes, Nayeli Hernández, Iris Díaz, Ana Iram, Paloma Galavíz, Olga Guerra, Marcia Santos, and Alejandra Aragón.