A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Imaging the voice
Notating poetic vocalization
In the mid-1980s, Open Letter — Canada’s defunct and dearly missed journal of theory and poetics — dedicated five issues of the journal to notation for poetry and language. Each installment of this series contains a range of texts that intersect with the idea of notation to explore topics including reading, rhythm, composition, documentation, and performance.
“Notation is a set
of instructions for
reading (in) the
future” (Robert Kroetsch)