Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
Before um we begin
How do they read experimental poetry in Sydney?
There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments. Our environment is Australasian and ultra urban, near university campuses (spaces of cockroaches, coffee, warm weather, high rent).
How do they read experimental poetry in Sydney?
There is a rich critical history examining the relationship between page and performance within the scene of the “poetry reading,” particularly when it comes to texts that can be identified with an avant-garde tradition.[1]
This series will examine experimental vocal, somatic performances, not necessarily given by Sydney poets, but within Sydney reading environments.