Fugitive fugues in the undying present
Syd Staiti’s novel The Undying Present opens with a somewhat startling brief scene wherein the narrator smashes their watch on their desk, ripping off its hands, before entering out into the world and its “present and continuous catastrophe” (11). What — outside of crisis — thrusts us into the pure present other than an escape from — or rebellion against — (modern, capitalist) time?
Time is the cousin of punishment — Syd Staiti, The Undying Present[1]
