A conversation between Joseph Harrington and H. L. Hix
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Joseph Harrington and H. L. Hix have perceived their work as being “in conversation” for quite some time, so the strength of their shared sense that Harrington’s recent Disapparitions and Hix’s Moral Tales were intent on listening in related ways led them to formalize their conversation. The result is the following inquiry into attention, attunement, genre, and other matters of writerly — and human — concern.
Mrs. Porter's: A history of a woman's art salon in four acts, 2004-2013
by Teresa Carmody
Act 1: Description and Content
Yes, we were at a party for Amy Schroeder, in her parents’ backyard in Hancock Park. We were talking to other women, Susan McCabe and Kate Chandler, definitely, and maybe Elena Karina Byrne. We said we wanted to start a literary art salon for women. Give us your address and we will make an invitation. We decided on mandatory participation. From the beginning, we had rules.
Yes, rules. It was 2004 and the rules went like this: 1) if you attend the salon, you must bring something to share; 2) each attendee will have 5 minutes to present her work, though she may use less; 3) the order will be determined randomly, through bingo chips.