You came to see human bodies tonight, but she said this is “holy work and it’s dangerous not to know that ’cause you could die like an animal down here.”[1] She was talking about making dances — pacing back and forth across bridges, riding up and down the block, selling loosies on the corner, walking in the middle of the street. The hazard of movement, of moving and being moved, of knowing that we are affected, that we are affective.
Samuel R. Delany: disability and 'Dhalgren'
Here is an excerpt from an seventy-minute interview/conversation with Samuel. R. Delany. Delany was a Kelly Writers House Fellow in 2016. The discussion took place on February 16 that year. Regina Salmons has done the work of transcription. A video recording of the entire conversation can be viewed here.
Al FILREIS (begins by quoting Delany’s novel Dhalgren)
“As I walked home, I thought about the hospital again” — this is described earlier in the “It was so easy to tell your story and not mention you were homosexual.” I assume he means to tell your story in the clinic. [Continues quoting Delany.] “It was so simple to write about yourself, and just not to say you were black. You could put together a whole book full of anecdotes about yourself without ever revealing you were dyslexic. And how many people whom I’d just met and who’d ask me ‘what do you do?,’ did I answer disingenuously, ‘Oh I type manuscripts for people.’”