Judith Goldman

Bright arrogance, gallery A

Subtitle hacks, neobenshi, & remix translation

On Gwendolyn Brooks, 'The Bean Eaters'

I’ll begin with vehement restatement: Gwendolyn Brooks is an under-read and under-understood great poet of the twentieth century. [1] This is perhaps a result of the artfulness with which she constructed her poems as rhetorical portals: “Black and female are basic and inherent in her poetry,” Hortense Spillers notes, while (particularly before the mid-sixties) “[w]e cannot always say with grace or ease that there is a direct correspondence between the issues of her poetry and her race and sex.”

Writing through imagism (PoemTalk #36)

Jennifer Scappettone's "Vase Poppies" and H.D.'s "Sea Poppies"

LISTEN TO THE SHOW

For this episode of PoemTalk, we took the show on the road - to Chicago - where David Pavelich hosted us at the Regenstein Library of the University of Chicago, a favorite haunt of an archive-obsessed Al Filreis over many years. (The Modern Poetry collection includes, of course, the papers of Poetry magazine up until 1962 or so, among other gems.) Thanks to David for hosting us! We were joined by Don Share and Judith Goldman and we talked about two poems, one written through the other: H.D.'s "Sea Poppies" and Jennifer Scappettone's "Vase Poppies." Here's H.D.'s "Sea Poppies" (1916):  

Amber husk
fluted with gold,
fruit on the sand
marked with a rich grain,

treasure
spilled near the shrub-pines
to bleach on the boulders:

your stalk has caught root
among wet pebbles
and drift flung by the sea
and grated shells
and split conch-shells.

Beautiful, wide-spread,
fire upon leaf,
what meadow yields
so fragrant a leaf
as your bright leaf?

Writing through imagism (PoemTalk #36)

Jennifer Scappettone's 'Vase Poppies' and H.D.'s 'Sea Poppies'

LISTEN TO THE SHOW

For this episode of PoemTalk, we took the show on the road — to Chicago — where David Pavelich hosted us at the Regenstein Library of the University of Chicago, a favorite haunt of an archive-obsessed Al Filreis over many years. (The Modern Poetry collection includes, of course, the papers of Poetry magazine up until 1962 or so, among other gems.) Thanks to David for hosting us! We were joined by Don Share and Judith Goldman, and we talked about two poems, one written through the other: H.D.’s “Sea Poppies” and Jennifer Scappettone’s “Vase Poppies.” Here’s H.D.’s “Sea Poppies” (1916):  

Amber husk
fluted with gold,
fruit on the sand
marked with a rich grain,

treasure
spilled near the shrub-pines
to bleach on the boulders:

your stalk has caught root
among wet pebbles
and drift flung by the sea
and grated shells
and split conch-shells.

Beautiful, wide-spread,
fire upon leaf,
what meadow yields
so fragrant a leaf
as your bright leaf?<--break- />

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