Ron Padgett, "Joe Brainard's Painting Bingo" & "The Austrian Maiden"
LISTEN TO THE SHOW
Al Filreis brought together James Berger and Richard Deming (who traveled together from Yale) and Sophia DuRose to talk about two poems by Ron Padgett. The poems are “The Austrian Maiden” and “Joe Brainard’s Painting Bingo.” Our recording of “The Austrian Maiden” comes from a February 26, 2003, reading Padgett gave at the Kelly Writers House; the poem had just recently been published in Padgett’s book You Never Know (2002). The recording of “Joe Brainard’s Painting Bingo” — a poem published in Great Balls of Fire (1969) — was performed at a November 20, 1979, reading given at a location that is now (sadly) unknown. That reading in its entirety is available at Padgett’s PennSound page; the recording comes to us courtesy of the Maureen Owen Collection of Greenwich Village Poetry, now housed at the Yale Beinecke Rare Book and Manuscript Library.
April 17, 2024
'He is good, / but he is a product of the world'
Rhetorics of empire in Scott Abels's 'Rambo Goes to Idaho'
How to be a poet in Hawai`i — or elsewhere — who opposes imperialism, colonization, the military, and yet appears, as a Euro-American, to embody them? I've worried this issue before on my own blog, and thought I'd think more about it here by way of a new book from BlazeVox by Scott Abels.
Abels, whose MFA is from Boise State in the state of Idaho, notorious for its white supremacists, has lived in Hawai`i for several years now. His thesis forms the basis for his first book, Rambo Goes to Idaho, which moves between Idaho and Hawai`i. As he writes in the first section of “Idaho Conspiracy,” a poem obliquely about moving to Hawai`i: “My Composition 1100 assignment was to guess the titles / of the first five poems on the Poetry and Politics website.” Then this: “The only thing I could come up with was / Hawaii comes before Idaho alphabetically” (49). Abels's move back in the alphabet forces him to look at the problem of American empire, although one senses he did so before his “geographically confusing” move. For the MFA thesis is set up as that of John Rambo, whose thesis signature page comes after two brief proems called “Screenplay” and “Burst.”